PV14 Compact 14 Channel Mixer

PV14 Compact 14 Channel Mixer Review

PV14 Compact 14 Channel Mixer Feature

• Built-in DSP effects processor10 reference-quality, low-noise mic inputs Channels 7 and 8 with dual switchable stereo line inputs.

The PV 14 compact mixer has the best features, quality and price of any mixer in its class. Peavey's reference-quality mic preamps spec in at an incredible .0007 THD making the PV 14 mixer excellent for live or recording applications. The PV 14 mixer includes three-band EQ, effects send, monitor send on each channel and insert points on channels 1-10. With ten mono and two stereo channels, the PV 14 offers a total of twelve inputs. The master section includes 48 volt phantom power, built-in digital effects, effects send and return, assignable tape input and a unique master contour EQ that helps sweeten the mix. Dual XLR and !/4 inch outputs allow the PV 14 to easily connect with other equipment. Sleek metal design adds strength, durability and looks like no other mixer in this price range. Rack mount kit available. Features: Built-in DSP effects processor 10 RQ (reference-quality) low noise microphone inputs with insert points Channels 11/12 and 13/14 with dual switchable stereo line inputs 3-band EQ on all channels LED clip, signal, mute indication One pre-fader monitor send One post-fader effects send Precision 60 mm faders on input channels and stereo master outputs Control room output Global 48 volt phantom power, tape to control room and tape to mix assignments Stereo outputs with 1/4 inch unbalanced and LXR balanced connectors Rugged console design Universal switching power supply

G7th 405 Performance Capo Limited Edition Black

G7th 405 Performance Capo Limited Edition Black Review

G7th 405 Performance Capo Limited Edition Black

G7th 405 Performance Capo Limited Edition Gold

G7th 405 Performance Capo Limited Edition Gold Review

G7th 405 Performance Capo Limited Edition Gold

KRK VXT4 Active Studio Monitor - 4 Inch, 45 Watts

KRK VXT4 Active Studio Monitor - 4 Inch, 45 Watts Review

KRK VXT4 Active Studio Monitor - 4 Inch, 45 Watts Feature

• Woofer: 4-inch Woven Kevlar
• Tweeter: 1-inch Silk Dome NEO
• Frequency Response: 56Hz - 22kHz +/-2dB

About the KRK VXT Series
KRK VXT Series monitors are the latest products from a company known for creating world class studio monitors for a variety of markets.

The series was created using stringent design philosophies similar to KRK's flagship close-field monitor, the Exposé E8B. The VXT Series has been designed to reproduce the true nature of the audio material and raises the bar for recording monitors used by professional engineers, musicians and DJs worldwide.

The VXT Series includes new proprietary woofers and tweeters, a newly designed curved face plate for excellent imaging, a new cabinet design that provides low resonance, improved structural integrity and extended low-end and slotted ports that greatly reduce port turbulence.

KRK engineers started with the extremely functional cabinet design of the flagship monitor, the Exposé E8B to create a very high performance yet attractive line of monitors. The curved cabinet and faceplate provide excellent imaging characteristics and a wider sweet spot. (Many monitors have discontinuous elements which can increase diffraction.) The use of ABS structural foam as the cabinet material provides excellent damping characteristics and extended low end due to more internal volume. The ABS foam also absorbs shocks really well so the cabinet is extremely impact resistant.

With the VXT Series, KRK engineers set out to improve transient response in the system. The tweeter's dome is comprised of true silk, as opposed to cloth, which translates to fast transient response, excellent imaging and extended frequency response.

The New KRK VXT Series Woofer
The new woofer inside the VXT Series has improved transient response by using a stiffer, lighter cone that provides very low distortion and extended low-end.

With such attention to detail taken in the creation of VXT Series' key components, it should come as no surprise to learn that KRK has designed numerous extras. The VXT Series features tamper resistant switch covers to protect against others changing your personal settings, integrated Omni Mount support for easy wall or corner mounting, ground lift, defeatable limiter and auto mute controls, and high and low frequency adjust switches on the VXT6 and VXT8.

Get the Details: KRK VTX4 Specifications

Drivers

• Woofer: 4-inch Woven Kevlar
• Tweeter: 1-inch Silk Dome NEO

Input

• XLR-1/4 inch TRS Combo
• 10k Ohm Blanced
• Pin 1 + Sleeve = Ground
• Pin 2 + Tip = (+) High
• Pin 3 + Ring = (-) Low

Amp & Fusing

• HF: 15 Watts
• LF: 30 Watts
• 2.0A 100VAC 50Hz
• 2.0A 110-120VAC 50/60Hz
• 1.0A 220-240VAC 50/60Hz

Frequency Response

• 56Hz - 22kHz +/-2dB

Dimensions (H x W x D)

• 10 1/16 inches H x 7 1/3 inches W x 7 inches D (25.6cm H x 18.6cm W x 17.7cm)

Whether you are making critical mixing decisions or need to capture the subtle nuances of a unique sound, you'll quickly discover the VXT-4 is as precise about your work as you are. The VXT-4 includes new proprietary woofers and tweeters, a curved flush face plate for excellent imaging, a new cabinet design that provides low resonance, improved structural integrity and extended low end with slotted ports that reduce port turbulence. Features a 1" silk dome NEO tweeter, 4" woven Kevlar woofer, switchable auto mute, level adjust, Clip indicator, Bi-amped power with 15W HF and 30W LF, and more. Shipping weight 14 lbs. Dimensions: 10 1/16 h x 7 1/3W x 7" D

Monster S100-I-12 Standard 100 1/4-Inch Instrument Cable (12 Feet)

Monster S100-I-12 Standard 100 1/4-Inch Instrument Cable (12 Feet) Review

Monster S100-I-12 Standard 100 1/4-Inch Instrument Cable (12 Feet) Feature

• Precision coaxial design for accurate frequency repsonse and wide dynamic range.
• 90% coverage copper-braided shield rejects RFI and EMI for a lower noise floor and increased resolution.
• Carbon-infused dielectric reduces microphonic pops and cracks for a noise-free cable design.
• IsoTec vibration techonlogy further redudes handling noise.
• Extra-flexible Duraflex outer jacket for superior reliability and cut resistance.

Monster Standard 100 Instrument Cable is the first step into a world of flawlessly detailed guitar and bass sound. Precision windings and heavy gauge construction give your sound more presence, wider frequency response, and excellent dynamic range. Dense spiral copper with special dielectric minimizes handling noise. Extra-flexible jacket endures extended stage and studio use. Reinforced connectors stand up to rugged use whether whether you're gigging, tracking in the studio, or jamming in the garage. Monster 100 Series Features & SpecificationsPrecision coaxial design for accurate frequency repsonse and wide dynamic range. 90% coverage copper-braided shield rejects RFI and EMI for a lower noise floor and increased resolution. Carbon-infused dielectric reduces microphonic pops and cracks for a noise-free cable design. IsoTec vibration technology further reduces handling noise. Extra-flexible Duraflex outer jacket for superior reliability and cut resistance. Interchangeable, coloring attaches to each connector for customized identification. New heavy-duty, molded connector design increases durability and resists damage. Hard chrome contact 1/4 inch connectors are durable and corrosion resistant. Professionals recognize that the quality of cable in a sound system can dramatically affect, for better or worse, an entire mix, or an instrument's tone. When you're ready to settle for nothing less than premium cable, Monster is the name to turn to. Available in 3 grades, all Monster Cables are known for incredibly pure sound quality. On a budget Monster Standard 100 instrument, mic and speaker cables deliver improved performance at an affordable price.

Digitech iStomp Downloadable Effects Stompbox

Digitech iStomp Downloadable Effects Stompbox Review

Digitech iStomp Downloadable Effects Stompbox Feature

• DigiTech Compressor-Versatile compressor/sustainer effect based on dbxTM compression
• Red Compressor-Classic compressor great for balanced sustain with both clean and distorted tones inspired by MXR® Dyna CompTM
• DOD FX25-Classic DOD® analog envelop filter gives a funky Auto Wah effect perfect for guitar and bass
• Octaver- Produces signals one and two octaves below your original note, inspired by the Boss®OC-2
• Screamer-The standard of overdrive effects inspired by the most popular overdrive pedal the TS9 Tube Screamer by Ibanez®

The iStompTM works just like every other stompbox. Step on the footswitch to turn it on and off. Adjust the knobs to get the sound you want. The biggest difference between the iStomp and other stompboxes is you can completely change the iStomp to be any pedal in the entire pedal line. Simply connect your iPod touch®, iPhone®, or iPad® to the iStomp and select which pedal you'd like from the DigiTech® Stomp ShopTM App. In about the same time it takes to download a song you can change the iStomp from a distortion to a reverb, a phaser to a tube overdrive, or a delay to a chorus. iStomp includes DigiTech's Total RecallTM digital delay and RedlineTM overdrive to get you started.

Martin M1200 Marquis 80/20 Bronze Acoustic Strings, Medium

Martin M1200 Marquis 80/20 Bronze Acoustic Strings, Medium Review

Martin M1200 Marquis 80/20 Bronze Acoustic Strings, Medium Feature

• Gauges: .010 .014 .023 .030 .039 .047

The Marquis silk-wrapped ball end helps reduce wear on the bridge and bridge plate, making them ideal for valuable, vintage instruments. They are also recommend them as the top choice for restringing your guitar for daily use. These strings are made from 80/20 Bronze.

Squier by Fender MINI, Black

Squier by Fender MINI, Black Review

Squier by Fender MINI, Black Feature

• Laminated hardwood body with gloss polyurethane finish
• Maple neck with 9.5 in radius rosewood fingerboard with 20 medium frets
• 3 Single-Coil Pickups
• Hard-tail 6-Saddle Bridge
• Master volume and master tone controls with 5 position selector switch

The Squier Mini Strat Electric Guitar is a totally capable starter electric guitar. With 20 frets, it's perfect for small hands. Features 3 single-coil pickups, master volume and tone controls, rosewood fretboard, and a hardtail bridge. Squier by Fender Mini Strat Electric Guitar Features: Small-scale neck (22-3/4"). Three single-coil electronic pickups Master volume and tone controls Maple C-shaped neck Rosewood fretboard 20 medium frets Hard-tail 6-saddle bridge.

Peavey PV14 Mixer

Peavey PV14 Mixer Review

Peavey PV14 Mixer Feature

• Built-in DSP effects processor10 reference-quality, low-noise mic inputs Channels 7 and 8 with dual switchable stereo line inputs.

The Compact Peavey PV14 Mixer offers durable construction, low noise, and excellent sound quality for an amazingly low price. It's designed for either live sound or recording, with sturdy metal housing, reference-quality mic preamps, and a total harmonic distortion of less than 0.0007%. Has global 48V phantom power and stereo effects I/O. Master sections offer assignable tape input, contour EQ, and outputs for mains, control room, and headphones. The PV14 Mixer features 12 channels, 10 with mic inputs and 2 with stereo line inputs. Insert points on mic channels and XLR main outputs in addition to balanced 1/4". Digital effects. 16-1/8"W x 3-1/2"H x 14-3/4"D.

Allen & Heath AH-ZED-24 24-Channel Mixer with USB Interface

Allen & Heath AH-ZED-24 24-Channel Mixer with USB Interface Review

Allen & Heath AH-ZED-24 24-Channel Mixer with USB Interface Feature

• 16 DuoPre mic inputs
• 5 auxiliary sends
• 3 Band eq with sweep mids
• 100MM Professional faders
• USB I/O with Sonar software

The ZED-24 is a small format, USB-equipped stereo mixer for live and recording. The ZED-24 has a fantastic pedigree which comes from nearly 40 years of making mixing desks for the professional sound community. The audio circuitry is based on years of continual development and refinement and the performance of all the elements within the mixer is has been perfected to ensure the very best sound quality possible. This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It’ll be equally happy running your gig on stage, recording live or mixing down in your studio at home.The feature-set of the ZED-24 mixer is incredibly advanced for a mixer at this level – it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, a USB send & return for PC or Mac recording, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you’d think it would cost much, much more! It can be used for many different tasks, whether in live performance, utilizing plug-in effects via USB, live recording via USB and Cakewalk, studio recording or mixing down to produce your own 2-track recordings.

Zoom G7.1ut Guitar Multi Effect with Tube Circuit

Zoom G7.1ut Guitar Multi Effect with Tube Circuit Review

Zoom G7.1ut Guitar Multi Effect with Tube Circuit Feature

• Effect Types: 92
• Effect Modules: 9
• Maximum Simultaneous Effects: 9
• Patch Memory: User 80+Preset 80, Total 160
• Sampling Frequency: 96kHz

If you want a multi-effects unit that's built like a tank and has the tones to match, Zoom's G7.1ut is a perfect choice. With a 12AX7 tube for warm crunch and rich harmonics, a two-channel preamp section, over 30 amp and stompbox models, and 92 different effects, if you can think of a sound you can probably get it. Add to that a built-in tuner, a USB port for use as an audio interface or patch editing on your PC, and a built-in expression pedal for controlling effects parameters, and you've got a device to serve most any guitarist.

Thinking of a sound? Get it. Click to enlarge.

The 12AX7 tube produces warm crunch with rich harmonics.

The 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing.

The built-in EQ module has six frequency bands optimized for electric guitar.

Cubase LE 4 comes bundled with the unit.

Transfer patch data to a computer for editing and storage.

Control effect parameters in real-time with the built-in expression pedal.

Energizer using 12AX7 tube
Giving body to the guitar sound and adding supple power and intensity--that is the task of the Energizer. Turning up the TUBE control to drive the 12AX7 produces warm crunch with rich harmonics. The BOOST control spruces up highs and lows, resulting in more transparency. Enjoy a powerful tone also when recording directly to a line input or via USB on a computer.

ZFX-3--a 32-bit DSP designed by ZOOM
The heart of any multi-effect device is its processor and decoder section. ZOOM has started a fresh chapter with its new ZFX-3 chip. The 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. Accuracy and speed ensure that even delicate picking and fingering work come across with impressive clarity.

DSP sound modeling plus tube circuitry create the ultimate in distortion
96 kHz sampling and 24-bit A/D/A conversion assure super high resolution sound. An abundance of signal processing power allows accurate recreation of the complex upper-range harmonics that are the hallmark of tube amplifiers. Analog circuitry using a 12AX7 tube then adds that classic warmth and sonic impact to the DSP sound. The result combines the best of the digital and analog worlds: distortion so advanced and sophisticated it elevates your guitar playing to the next level.

Preamp section with two channels
The preamp section, comprised of the amp/drive-modeling, and EQ modules offers two channels per patch. You can easily select a channel by simple foot switch operation. Toggle between a Fender clean sound for rhythm and a Marshall drive sound for lead, while keeping modulation and spatial effect settings the same. The user interface with analog knobs lets you shape the sound with the same facility as on a guitar amp.

Great for stage work or direct recording
The amp/drive-modeling blocks have two dedicated algorithms for each amp/drive type, designed for live playing and direct recording. The CABINET effect simulates amp and mic recording characteristics as well, and the algorithm is automatically switched according to the CABINET on/off setting.This lets you bring the same guitar sound that you used during practice or recording right on to the stage. Alternatively, sound settings that were determined during a session with the band can be used seamlessly in the studio as well.

Amp select feature
This function optimizes frequency response to match the amp that you are using. Settings are available to get the best out of popular models such as Roland JC-120, a Fender combo, and a Marshall stack. The -10 dBm/+4 dBm output level switch allows the G7.1ut to be used as a preamp, directly connected to the power amp input of a guitar amplifier.

6-band graphic equalizer
The built-in EQ module has six frequency bands optimized for electric guitar. Peaking type filters in the crucial middle range (400 Hz, 800 Hz, 3. 2 kHz, 6.4 kHz) are augmented by shelving type filters at the low and high end (160 Hz and 12 kHz). This ensures the shortest possible route from inspiration to actual sound.

Guitar amplifier/stomp box modeling
Analog devices such as tubes and diodes have unique clipping characteristics. Sophisticated digital simulation finally makes it possible to recreate the sound of vintage tube amps and effect devices with astonishing realism. From popular names such as Fender, Marshall, and VOX to modern amps including MESA BOOGIE, Hughes & Kettner, and Diezel--the list of choices is extensive. The cabinet simulator even has settings for mic position, to achieve totally natural sounding performance.

32-bit processing for a wide choice of high-quality guitar sound effects
Ranging from trusty old standards to advanced choices for specialized needs, the effect collection of the G7.1ut comprises 92 effects in 9 modules. Pick an MXR Dynacomp, famous for its unusual compression action, or select wah pedal simulations such as VOX and CRYBABY. Choose from three types of chorus for creating a solid, wide sound stage. Access seven types of reverb with transparent, unblurred sound. And the list goes on: tremolo with selectable modulation waveform, bend chorus with individual pitch bending, harmonized pitch shifter, multi-tap delay even reverse delay. These professional quality effects will fuel the creativity of every guitarist. The preamp section and wah/filter effects allow changing the module insert position for even more advanced tonal control.

Preset patches ready to use for recording or live performance
Whether you are after a true-blue vintage tone or fat high-gain sound, you will find a choice here. There are settings that accurately simulate well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as totally original ZOOM effect sounds. The past and the future of guitar sound is right there at your fingertips. The G7.1ut comes preprogrammed with a total of 80 preset patches. For creative leeway, a user area capable of storing the same number of patches is also provided.

Intuitive interface great for stage use
Each of the four analog style rotary knobs let you directly edit parameters on-the-fly, a total of four simultaneously. The LCD panel clearly shows patch and parameter names. Direct access keys are provided for each module. The advanced user interface is designed to ensure hassle-free operation, while not getting in the way of your creativity. On stage, the foot switches allows easy effect bank selection, module and hold delay on/off switching or tap tempo input. The self-lit switches show module status at a glance.

Real-time modulation for 4 simultaneous parameters fosters lively playing
The built-in expression pedal allows control over effect parameters in realtime. Common pedal effects such as wah, pitch, and volume control are ofcourse supported, but you can also opt to adjust drive gain, modulationrate, delay/reverb mix level, and other parameters. Up to four parameterscan be assigned to a single pedal, allowing dramatic techniques such asraising the chorus, delay, and reverb at the same time. Create a rotary speaker style sound by varying tremolo, chorus, and auto-panning rate. Also,the ARRM (Auto Repeat Real-time Modulation) function is capable of producingrhythmical tone changes, opening up a wealth of possibilities.

World's fastest patch change speed: 7 ms
Switching patches has never been smoother or less noticeable. With its record-setting speed of 0.007 seconds (7ms), the G series never miss a beat.When changing to a lead preset in the middle a song, you no longer need to press the switch in advance, simply push the foot switch and start playing your solo.

Built-in tuner supports special tuning requirements
The guitar tuner can be called up instantly by pushing a dedicated footswitch. In addition to the standard auto-chromatic tuner, various othertuning methods for guitar and bass are possible, and open tunings are alsosupported. High-brightness LED indicators make the note readout easy to seeon a dark stage. The calibration range is A 435 to 445 Hz, and muted tuning(without sound output) is also possible. Tuning your guitar has never been easier or more convenient

ZNR keeps playing pauses really quiet
The built-in ZOOM Noise Reduction (ZNR) provides optimized signal performance for guitar. While minimizing any alteration of the original sound, ZNR cuts unwanted noise during pauses. Tails of sustained notes remain unaffected, with a long natural release.

Ultra low noise design with 120 dB S/N ratio and -100 dB noise floor
With an amazing rated signal-to-noise ratio of 120 dB and a -100 dB noise floor, background noise ceases to be a problem, leaving only superbly clean, transparent sound.

Sturdy metal chassis and rubber damping for superior toughness and durability
The combination of a solid metal chassis with shock-absorbant rubber damping ensures that the unit can stand up to the rigors of on stage use. Take it on the road or bring it into the studio, the G7.1ut will not let you down. And it looks great, too, the stylish two-tone coloring using silver and black, rounded shape, and chrome-plated parts give the unit a high-class, futuristic appearance.

USB based audio interface functions
The USB port allows the unit to function as an audio interface for a computer. Simply plug the unit in to your computer with a USB cable to use the high-quality sound of the G7.1ut in a computer-based recording system. The high-performance DAW application "Cubase LE 4" comes bundled with the unit, so you can start creating sophisticated music straight away. Because playback from the DAW application can be monitored at the unit itself, there are no latency problems during recording.

MIDI IN/OUT jacks allow linking to other equipment
The ability to exchange MIDI data with other devices opens up a wealth of possibilities. You can switch patches in conjunction with a MIDI enabled preamp, or use the unit as a real-time controller for other MIDI equipment. By connecting the MIDI interface to a computer, you may use a dedicated editor/librarian application to edit and store patch data.

AUX IN jacks accommodate external sources
The playback signal from external sources can be plugged-into the AUX input. Jam along with a rhythm machine, external CD or mp3 player. You may also utilize the connectors as a stereo line input to record audio into your computer via the USB interface.

What's in the Box
G7.1ut Unit, AC adapter, Cubase LE 4 Install Disc, User's Manual -

Dunlop Standard Tortex Picks, 12 Pack, Yellow, .73mm

Dunlop Standard Tortex Picks, 12 Pack, Yellow, .73mm Review

Dunlop Standard Tortex Picks, 12 Pack, Yellow, .73mm Feature

• Yellow .73 Gauge

Tortex picks are carefully designed and manufactured to give the characteristic maximum memory and minimum wear that made original tortoise shell famous.

Shure PG288/PG58 Dual Vocal Wireless System, M7

Shure PG288/PG58 Dual Vocal Wireless System, M7 Review

Shure PG288/PG58 Dual Vocal Wireless System, M7 Feature

• Two PG2/PG58 wireless microphone transmitters included
• 10 selectable frequencies and up to 8 compatible systems
• Internal antenna diversity for a quality, reliable signal
• 1/4-inch and XLR output for each channel
• Two UHF wireless diversity systems in one compact chassis

This is a great basic wireless system from Shure, comprised of a PG88 receiver and two PG2/PG58 handheld microphone transmitters. Ideal for lead and backing vocals in live performance, karaoke, or other wireless applications.

The PG88 provides two channels of wireless connectivity in a compact system. Click here for a larger image

Two stage-ready PG2/PG58 handheld mic transmitters included. Click here for a larger image

Shure Performance Gear Wireless

A comprehensive first step into professional wireless, Performance Gear Wireless is engineered to the same uncompromising quality standards as PGX, SLX, and UHF-R. Combining superior Shure sound quality and stage-proven endurance with advanced features like Internal Antenna Diversity, Performance Gear Wireless offers professional tools created for confident performance.

With hassle-free setup, stage-worthy construction, and superior sound quality, Performance Gear Wireless does what great gear is supposed to do--get the job done and never get in the way. The first professional choice for freedom from the wire.

PG88 Dual Channel Diversity Receiver

The PG88 provides two channels of UHF wireless connectivity in one compact system. Select the best signal from ten selectable channels, and you're good to go with the included mics.

It's a breeze to set up, with simple channel matching between Shure wireless devices and the receiver, busy indicators to notify you of interference from other devices. Microprocessor-controlled internal antenna diversity boosts the quality and reliability of your signal.

Each channel features a 1/4-inch and XLR output, so it'll work with most any audio system.

PG58 Vocal Microphones

Two PG58 vocal microphones are included. These are rugged, stage-ready mics, tuned to accentuate the clarity of lead and back-up vocals. A cardioid polar pattern means less susceptibility to feedback in high volume settings, and the rugged coil handles extreme volume without distorting.

These mics are ideal for handheld use, with itnernal shock mounting to supress handling noise, an on/off switch for on-stage control, and durable metal construction. The steel mesh ball grille also acts as a pop filter, to reduce wind noise or breath sounds.

What's in the Box

PG88 Receiver, AC Power Supply, Two PG2/PG58 Handheld Transmitters, User Guide

Includes PG88 Dual Diversity Receiver and two (2) PG2/PG58 Handheld Microphone Transmitters. Ideal for lead and backing vocals in live performance or karaoke.

Radial JDI Duplex mk4 Stereo Direct Box

Radial JDI Duplex mk4 Stereo Direct Box Review

Radial JDI Duplex mk4 Stereo Direct Box Feature

• -10dB RCA connectors+4db XLR inputsJensen transformer-equipped passive DI100% isolation eliminates ground loopsVirtually zero phase & harmonic distortionExceptional signal handlingHigh common mode noise rejection

Now with dual -10dB RCA connectors and dual +4db XLR inputs. Passive DI employs a Jensen isolation transformer for optimum audio performance offering outstanding linearity at all frequencies, combined with extraordinary level handling without introducing distortion. The completely passive plug & play JDI does not require any power and has the unique advantage of eliminating 60-cycle ground loops. This makes it a definite favorite with informed audio engineers. Great for guitars, bass, and keyboards and particularly adept with high-output, broadband instruments such as active instruments and digital keyboards. May be rackmounted using the J-RAK Adaptor (not included).Housed in a 14 gauge steel welded I-beam chassis, it protects all connectors and switches with a unique book-end design. The input panel is equipped with a pair of 1/4" and RCA inputs and thru-puts. A unique Merge function provides passive mix to convert the in/thru routing into a stereo-to-mono mix function--a valuable channel saver for large keyboard rigs and multiple audio sources. Each channel is also outfitted with a 10kHz low-pass filter to eliminate high-frequency system noise and a 15dB pad for greater source control. A switch on each channel allows the user to select the XLR male input. This simultaneously introduces a 20dB pad to allow high output +4dB line level devices to interface into snake systems and splitters without requiring an external attenuator. The rear panel features the XLR inputs and outputs along with polarity reverse and ground lift.